The Da Vinci Code Blogswarm
LaShawn is hoping to own the Da Vinci Code tag by the time the promotion for the move picks up heavily in the next few months.
First of all, I think the book was a great read. I couldn’t put it down. I am also extremely fascinated by a lot of the mathematical aspects of the artwork that he discussed (phi, the “Divine Constant”, etc). That said, however, it is key to remember that this book is fiction.
New Media Ministries has done a series of articles looking at some of the claims in the book. It’s a good place to start. Keep an eye on Gary Burger’s new blog for bite sized chunks.
James White thinks it needs to be taken seriously, and makes a good case.
Are we making a mountain out of a mole-hill? Should we just laugh at the The Da Vinci Code, enjoy the story, and ignore the statements it makes about the Scriptures, Christ, the apostles, the Church, etc.? Does this author have a point?
The answer is sadly very clear. No, this writer has not taken the time to consider this issue very deeply, nor has he listened to Dan Brown talk about his own book. I would suggest this reader check this page and listen to the mp3 linked on it as well. You will see that the story of this book reflects Brown’s own “research” on the subjects. You don’t do “research” for years on material that is merely “fiction.” Instead, the book is presented as fiction based on facts. The book itself begins by stating that what it says about art, architecture, and documents, is authentic. Authentic is not a synonym for “fiction.” And that brings us to the key issue: no one is arguing Langdon or Teabing actually exist. They are the fictional characters. But the assertions they make, in the guise of setting the foundation for the central conspiracy theory of the book, are presented not as fiction, or mere speculations. They are presented as unquestioned historical facts.
UPDATE: Speaking of Biblical fiction, this new book by famed occult-writer-turned-Christian Ann Rice, Out of Egypt, looks pretty interesting.
A riveting, reverent imagining of the hidden years of the child Jesus.
Attacked by a vicious bully, seven-year-old Yeshua employs uncanny powers to drop his assailant onto the sand and then to bring him back to life. It’s the remarkable beginning of the 26th novel by an author whose pulpy vampire chronicles hardly prepare us for a book so spiritually potent as this. Following Jesus and his family’s journey from Egyptian exile to their ancestral home, it recasts Bible stories (the Magi’s visit, the presentation at the temple) in the detailed context of Jewish rebellion against Herod Archelaus, the impious ruler of Israel. A cross between a historial novel and an update of Tolstoy’s The Gospel in Brief, it presents Jesus as nature mystic, healer, prophet and very much a real young boy. Essentially, it’s a mystery story, of the child grappling to understand his miraculous gifts and numinous birth.
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